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Fashion Through The Ages Essay Definition

Factors To Focus On When Writing Fashion Essay Papers

Fashion essay papers have been always considered as a social phenomenon, which reflect the spirit of an era. It is also known as a deeply intimate and private magical act. However, it is the individuality of the fashion designers, who will make fashion industry so attractive. Fashion essay papers also play an important role in the market for giving information on the latest trends and fashion. These essays are written by the teachers, authors, students and fashion experts from different parts of the fashion industry. Most of thee essays written by the experts will provide an insight into the fashion. However, before you start writing these essays, it is very important to know what it is and what it says all about. When you are planning to write a fashion essay, it is very important to make sure that you are talking about the advent of the fashion industry as well as its overall development over the years. You will also know what fashion is really about when writing fashion essay papers.

Given below are a number of fashion essay topics that are sure to help you achieve a decent grade!

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Fashion Essay Topics

1.

The Influence of Fashion on Everyday Life

It would be an understatement to say that fashion influences just clothing; in fact, to be very precise fashion influences almost every aspect of our daily life. This essay throws light on how modern world is far more controlled by fashion and changing trends than many of us realize.

2.

How do Economic Issues Shape Fashion Trends

More often than not, Fashion trends are a reflection of the political, social and economic changes and developments around us. This essay discusses in detail how economic factors such as recession and inflation impact the fashion industry and trends.

3.

Fashion, culture and Identity

How does fashion impact our identity? Do clothes say much more than we realize? How can a dress or fashion trend communicate the intricate details of our personality and character? Is the desire to be fashionable and trendy universal, or is this desire limited to the upper strata of the society? This essay answers the above questions and many more...

4.

Fashion as communication

Can fashion be leveraged to communicate an ideology or trait? If yes, then how? What does our fashion say about us? This essay discusses the above-mentioned questions in detail.

5.

Fashion and its Social Agenda

There is a popular saying that clothes make the man, but is this saying applicable or relevant in the present world. Has the information conveyed by fashion and clothing changed because of the radical changes in the society. This essay tries to discuss facets such as class, gender and identity in clothing.

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6.

Fashion and Modernity

This essay traces in detail the social and cultural history of fashion. Needless to mention, it also discusses why fashion and modernity are often used as interchangeable concepts.

7.

Fashion as a Social Equalization Tool

Fashion changes incessantly and by doing so it acts as a social equalization tool. It differentiates one time from another, and one social stratum from another. While it unites those belonging to the same class, it secedes them from others. This essay discusses all this and also why it is the elite that often initiates fashion.

8.

The Fashion System

This essay is basically a structural analysis of descriptions of women's clothing by reputable fashion writers. It intends to help readers with a brief history of semiology.

9.

Is Fashion Predictable?

The cyclical changes in fashion are a proof of capricious consumerism. Sellers leverage individual and social psychology to manipulate the market. So, does the cyclical nature of Fashion make it predictable? This essay answers this and much more...

10.

Barbie doll Fashion

Barbie dolls have a lot in common with the fashion of the medieval times, especially with children's fashion. Children in those times were dressed like adults, with lesser details though. Moreover, there were laws regarding dress and clothing which each class of the society could wear. This essay discusses the Barbie doll fashion in detail.

11.

Fashion in the Western World

This essay discusses if Fashion is rightly considered as the forte of the western world, especially as the eastern world is slow to changes in clothing and dresses.

12.

Fashion in the Eastern World

Fashion experts segregate the world into the Eastern and Western fashion regions. So, what is it that makes the fashion of the eastern world unique and distinct? This essay discusses the eastern world fashion in detail..

13.

Fashion and Femininity

The definition of femininity is dynamic and changes with the developments in the society. This essay tries to explore the relationship between popular fashion and femininity, and how it changes with the change in times.

14.

The Negative Effects of Fashion

The models in the fashion industry are often portrayed as perfect and individuals. This often impairs the self-esteem of the individuals who have less than ideal looks and body. Such individuals are overwhelmed and fashion impacts their life in a destructive way. This is an essay that discusses all the negative effects of fashion.

15.

The Negative Effects of Fashion on Juvenile Minds

Teenagers and children are often overwhelmed and intimated by the radical changes in the fashion, and many of them are not able to cope well with the peer pressure to be fashionable at all times...

16.

Fashion and Dance: Is There a Relationship?

Dancers might not have any direct influence from the fashion designers of their times, but no one can discount the fact that dancers often wear dresses that are officially designed by fashion designers, especially for stage shows. This essay discusses how fashion and dance are interrelated.

17.

Fashion and the Image of the Ideal Woman

Have a look at any fashion magazine or fashion show, and you can observe that only ultra thin or emaciated models are portrayed as ideal women. However, there are few fashion magazines that have started to use women of normal physical stature as models. So why is it that fashion professionals mostly prefer thin models? This essay tries to answer...

18.

Is Global Warming a Fashion Trend?

Nowadays, there is no dearth of television or print ads that use the theme of Global warming. Is the fashion industry trying to exploit this issue to meet their ends? Find the answer in this essay.

19.
History of Fashion

Fashion is often defined as a clothing trend during a certain time or era. This essay explores how fashion has changed with the changing times.

20.
Elizabethan Fashion

Elizabethan fashion is very distinct as it reflects the disposition and values of the 16th century. Elizabethan era is especially known for the originality and creativity in fashion and clothing of that era. This essay explores how the values and ideologies of the Elizabethan England influenced the Fashion of those times.

21.
Crossover Fashion

This essay discusses how crossover fashion has become an acceptable part of many dynamic societies such as America. Crossover fashion has much do with the changing role of women in the society and this essay attempts to correlate the changing social status of women with Fashion.

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Summary:

Know More About Fashion Thesis Paper Writing

According to some of the fashion thesis, wearing good clothes as well as accessories is considered to be fashion. However, there is also other fashion thesis that says that the fashion is influenced by the individual behavior, which will have an impact on the society. When you are writing or reading a fashion essay, the race and culture of the people located in different parts of the world decide what type of fashion they have to put on. It is also quite hard to predict, which way the fashion will turn. Therefore, when you are writing fashion essay papers, it is very important to consider some of the important factors and make sure that you are writing it in the best way. In case, if you are new and do not have any information on these essays, taking the assistance of a professional fashion essay writing service could be the best option for you.

Fashion trend and college essays

Fashion essay papers also provide different statements that fashion is considered to be an art form. The way the people look at it will different from one individual to another. Therefore, when you are getting ready to write the fashion essay papers, it is very important to make sure that you are considering the needs of all types of individuals and discussing the topic in the right way.

Incase, if you are new to write fashion essay papers and do not have any knowledge on it, we can help you. We are a professional essay writing service, which is helping people on different types of essays (i.e. interview essay, philosophy essay, personal essay). When you are taking the assistance of our experts, they will provide you comprehensive information on the type of essay you are getting into. We will provide you the structure of the fashion essay papers and some of the important factors you have to consider and include in the paper when writing it. Our company is also charging very affordable prices for the service we provide. Therefore, anyone will be able to take our services.

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A New School of Fashion
By the end of World War II, a lapse in overseas communications catalyzed a fragmentation in France’s style dictatorship, allowing the global couture clientele recognition of several American designers who had by then built fortified wartime houses. By 1950, a strong dichotomy had developed between the refined yet overly structured elegance of French tailoring and the casual, sporty comfort of American design. This duality manifested most simply in the stark contrast between mid-century department store mass production and the more exclusive custom-made couture trade popular in the epicenters of Paris and New York. The resulting isolation of the respective sectors of society who solely patronized one or the other tradition fostered the need for clothing that incorporated the most appealing aspects of both industries. While French couturiers like Christian Dior and Jacques Fath were paring down their couture designs and championing them as ready-to-wear garments for American department stores and New York boutiques alike, only Italian fashion artists understood the desperate need for more accessible, comfortable, and yet equally refined and tailored collections.

While Italy had been an exporter of accessory fashion items and small leather goods since the early twentieth century, and moreover had a strong history of success with luxury textiles, shoes, and jewelry production since the twelfth century in Venice, Florence, and Rome respectively, a consistently insecure governmental structure resulted in the absence of a unified Italian fashion center, thereby estranging the country’s fashion artists from competition in the mid-century global market. Florentine businessman Giovan Battista (G. B.) Giorgini repeatedly attempted to provide Italy’s cognoscenti and the global fashion press with more access to Italian talent in the postwar years. The most successful of such attempts, his February 12, 1951, launch at his own Florentine residence, featured Emilio Schuberth, Sorelle Fontana (the Fontana sisters), Contessa Simonetta Visconti, Roberto Capucci, and Alberto Fabiani from Rome, Jole Veneziani of Milan, and Florentine-born Caprese designer Emilio Pucci. High-end American department stores I. Magnin, Bergdorf Goodman, and Saks Fifth Avenue each sent media representatives to review the collections, and found almost instant retail success with gowns from Simonetta, Fabiani, and the youthful sculptor Roberto Capucci.

The Success of Prêt-à-Porter
Emerging as new personalities in the perpetuation of jet-set leisure chic in America and throughout Europe, many Italians took their cue from early twentieth-century European avant-garde artists like the Bauhaus’Paul Klee, Sonia Delaunay, and Cubist-inspired Russian Constructivist Liubov Popova, while others broke new ground with individual conceptions and creations of postmodernism. Though often attributed to 1970s designers Armani, Versace, and Missoni, the Italian prêt-à-porter industry developed by mid-century from a necessity for high-end mass marketing, and thrived on late-century global overconsumption. Italian fashion relies on an adherence to the markings of a rich cultural heritage (reflected most prominently in tributes to the luxury of the Italian Renaissance), an instinctive progression toward the globalization of fashion via various modernist aesthetics, and an ability to reinvent image ideals through advertising and promotion.

Italian Fashion, Then and Now
Demonstrated by the doublecloth wool textiles of Simonetta as much as the brilliant kaleidoscope knits of Missoni and Caprese-manufactured “Pucci” prints, the textiles of Italy have been as relevant in the last fifty years to the success of the country’s commerce as they were in the fourteenth century, as embodied by the scarlati1 wools of Venice, the twelfth-century Florentine feronnerie,2 and even the Renaissance-reminiscent velvets of Mariano Fortuny in the 1920s and ’30s. Italy boasts the invention of eyeglasses, or roidi da ogli, as early as 1300, and currently promotes the largest conglomerate of licensed designer sunglasses worldwide. Italian manufacturers are undeniably responsible for some of the most professional and refined leather and fur craftsmanship of the twentieth century; Trussardi and Furla, both family companies founded in the early 1900s, are modeled after Italy’s thirteenth-century calegheri3 guilds and promote the most coveted leather goods in fashion, while Fendi has been a longtime purveyor of intricately pieced and dyed furs, now to a nearly fiendish clientele.

Alongside a natural ability to reinterpret the artisanship of historic Italy, the design school of the last quarter century has exhibited a prolific capacity to modernize both image and product. Giorgio Armani became the face of gender equality and refined glamour with his unstructured men’s tailoring and heavily built women’s garments in the late 1970s. Miuccia Prada reinvented her family’s then-staid company with high-end sportswear and pioneered trends toward technology-inspired minimalism by the early 1990s. Tom Ford re-created the nearly deceased Gucci company into an iconic brand name, promoting the house as the face of sleek modernity and an almost ruthless chic. With Milan and Tuscany as saturated production centers, and Venice, Rome, Sicily, and Florence as inspirational landmarks in the evolution of the Italian aesthetic, the growth and influence of Italian fashion is ever present and “Made in Italy” is one of the most recognizable stamps of quality and innovation in contemporary fashion.

1Scarlati were diagonally woven twill-effect wools whose namesake derives from a deep red grain dye. These textiles reached their climax in commerce in the fourteenth century, but resurfaced in the late sixteenth century, though simply dubbed “alla Veneziana.”
2 Feronnerie, a velvet with metallic thread that was woven to resemble wrought iron, was created by the twelfth-century Arte della Seta (or silk-weaving) guilds.
3Calegheri translates as “shoemaker.” The calegheri guilds were recognized by the mid-thirteenth century and became the most respected authorities on leather tanning and processing in Italy.

Elyssa da Cruz
The Costume Institute, The Metropolitan Museum of Art

October 2004